Why does OpenGL have a far clipping plane, and what idioms are used to deal with this?
I've been learning OpenGL, and the one topic that continues to baffle me is the far clipping plane. While I can understand the reasoning behind the near clipping plane, and the side clipping planes (which never have any real effect because objects outside them would never be rendered anyway), the far clipping plane seems only to be an annoyance.
Since those behind OpenGL have obviously thought this through, I know there must be something I am missing. Why does OpenGL have a far clipping plane? More importantly, because you cannot turn it off, what are the recommended idioms and practices to use when drawing things at huge distances (for objects such as stars thousands of units away in a space game, a skybox, etc.)? Are you expected just to make the clipping plane very far away, or is there a more elegant solution? How is this done in production software?
Answer
The only reason is depth-precision. Since you only have a limited number of bits in the depth buffer, you can also just represent a finite amount of depth with it.
However, you can set the far plane to infinitely far away: See this. It just won't work very well with the depth buffer - you will see a lot of artifacts if you have occlusion far away.
So since this revolves around the depth buffer, you won't have a problem dealing with further-away stuff, as long as you don't use it. For example, a common technique is to render the scene in "slabs" that each only use the depth buffer internally (for all the stuff in one slab) but some form of painter's algorithm externally (for the slabs, so you draw the furthest one first)